Fazal Majid's low-intensity blog

I upgraded my MacBook Pro to the third-generation model so I can bump up my RAM to 4GB. Aperture and CS3 are very resource-intensive, and the 2GB upper limit of my first-generation MBP was somewhat constraining.

I just transferred my files over using Apple’s migration utility and target firewire mode. The process, while not 100% automated (it did not transfer X11, for instance, or some of the preferences), is far smoother than any Windows equivalent. Here are my first impressions on the new model:

• The new, environmentally friendly mercury-free LED backlight is definitely more blue in tone than the pinkish cold-cathode fluorescent backlight on the old model. The default ColorSync monitor profile does a good job of compensating for this, however. There is some vignetting on the 15″ screen (darkening in the corners). I wonder how the 17″ model fares, and whether they had to add additional LEDs for a more even backlight illumination.
• This machine is fast. It blows my dual-2GHz G5 PowerMac out of the water in all benchmarks other than disk I/O. Unsurprisingly, it is also much faster than the first-generation machine, specially on graphics but also on disk I/O.
• It does not heat up quite as much as the older Core Duo model, the heat level, while high, never reaches a potentially dangerous temperature. This is probably due to improved power management, as running two Parallels virtual machine will bring it up to the same pant-scorching levels as the Core Duo.

I installed Adobe Creative Suite 3 on my home PowerMac and my MacBook (the license allows you to install it on two computers as long as they are not in simultaneous use). The only real reason I upgraded is to get a native Intel version. I have barely started using it already and I already have peeves:

• Bridge looks butt-ugly, is even slower than before and with a more amateurish interface than ever
• The install procedure is incredibly annoying and Windows-like. There is no justification for an install procedure that chokes if the beta was not uninstalled officially (although I have to give some brownie points due to the fact the cleanup script is written in Python).
• The icons are aesthetically bankrupt. What kind of credibility does Adobe think it has with creative people with such an astoundingly lackluster effort?
• Barely installed and already in need of software updates. The widespread availability of fast Internet connections is no excuse for shoddy release management or a “we’ll patch it post-release” mentality. Speaking of which, the only proper time to interrupt users with a software update dialog is as they are quitting the application, not by getting in the way of whatever task they are trying to get done by starting up the app.
• Don’t clutter my hard drive with legal drivel in twenty different languages. It’s called “Creative Suite”, not “Boilerplate Suite”.
• All the tie-ins to paid add-on services like Adobe Stock Photos or Acrobat Conferencing are incredibly obnoxious, just like those for MSN or .Mac.
• JavaScript in Acrobat is a big security and privacy risk, and should be disabled by default.
• On the plus side, thanks for making a “Design Basic” edition without all the despicable Flash garbage in it. I would actually pay more for the Basic version than for the supposedly premium one infected with Flash and Dreamweaver.

Update (2008-01-01):

It seems Adobe has also crossed a serious ethical line by building in spyware to track on whenever a user starts a CS3 application.

As far as I am concerned, this is the last straw and I will actively start looking for substitutes for Adobe products as soon as I return from my vacation.

Update (2008-01-02):

It seems Adobe does not collect the serial number after all. The apps should nonetheless never call on the Internet except possibly to check for updates. For people like myself who have static IPs, the IP address itself could be used to correlate the analytics with personal information.

Legendary cellist and all-around good guy Mstislav “Slava” Rostropovich passed away in Moscow today. He was a friend and supporter of Shostakovich, Prokofiev, Britten and many others like Dutilleux, and many of the greatest works for cello of the 20th century, indeed of all time, were dedicated to him.

I had the opportunity to hear him conduct Shostakovich’s “Babi Yar” a year ago (when I took this photo) and a few years earlier as a cellist the Dvořák Cello Concerto (sadly in replacement of the far superior Shostakovich First Cello Concerto that was dedicated to him).

The world of music has suffered a grievous loss. None of the current generation of cellists (Ma, Gastinel) is of the same caliber. As a conductor, his legacy is more mixed, as his Shostakovich interpretations often lack fire, but his Prokofiev cycle with Erato is marvelous, specially the Fourth in its original version.

Is it just me or is the Finale of Sibelius’ Second Symphony, Op. 43 (1902) eerily reminiscent of the first movement of Saint-Saëns’ Third Piano Concerto, Op. 29 (1869)?

I guess it’s official now. Acxiom acquired my company, Kefta, last week. Acxiom is very discreet, but influential company, with a strong technical focus — how many public company CEOs do you know who are listed as inventors on their company’s patents? The other founders and myself came to the conclusion a merger will allow us to serve our customers better, ramp up our sales to capitalize on an exploding market and enhance our infrastructure, something that would have beeen much harder if we stayed independent.

Due to confidentiality reasons, I cannot give much more specifics, but Kefta was my first startup. I thought I would have mixed feelings letting it go (I am staying on board, of course, but in a different role now). That has not turned out to be the case, however. We started in 2000, a mere two months before the bottom fell out of the market, and managed not just to survive, but to recover and thrive. At the moment, I am too excited considering the possibilities to wax nostalgic. There might be a few bumps down the road for this blog as I now have to extricate my personal web presence from Kefta’s machines (my new hosting platform is a Solaris-powered Joyent accelerator).

Update (2007-05-16):

It seems I was acquired again. Once is good fortune, twice is negligence…